July 13, 2010
Dear Comrade EP
2010 | Unsigned
I wanted deeply, in my heart of hearts, to not compare Dear Comrade to stellastarr*. But I truly think, even had I not known that Dear Comrade is the work of stellastarr* drummer/keyboardist Arthur Kremer (with the help of Emmett Aiello on lead guitar, bass by Dan Freeman, and backing and occasional lead vocals by Stefani Pekin – who also goes by Dex, and Dr. Dex, though I doubt she’s board certified), my mind would have immediately leapt to that conclusion.
Moody instrumentals, soaring female backing vocals behind almost-speaking-rather-than-singing post-punk male vocals (think almost Interpol), yeah, I could be describing either band. But while stellastarr* began reaching out toward what I would argue is a more gothic sound (in the literary sense of the word) with Harmonies for the Haunted, Dear Comrade is a little less flashy, more stripped down, and attempts to show a broader mix of influences.
“Badlands” opens the album, a semi-political track mostly about apathy. “Conflict of interests, clashing of faith / What would John Lennon fight for today? / Where’s the amber, where’s the glow / Where’s Black Panther, I just don’t know.” While I assume Kremer is referencing the 1960′s radical party, he could just as easily be asking for the Marvel Comics superhero. Oh, the joys of interpretation. The track itself is certainly enjoyable, but I think it lacks a certain spark, especially when compared to later tracks on the album.